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Needless to say, the advent of real-time equalisation makes life far simpler compared with CEP 1.x, in which individual WAV files had to be pre-processed offline before being mixed in the multitrack screen. Each of the three bands of the fully parametric EQ can range across the entire audio spectrum, and the top and bottom bands are configurable as traditional shelf equalisers or bell curves.

The track EQ facilities in the multitrack window offer 'A' and 'B' settings, allowing comparison of two different equalisation curves, or perhaps the creation of a 'reference' and 'modified' setting. A rather welcome side-effect of all this new real-time processing is that the user no longer has to wait for Undo files to be created and saved, which increases the speed and immediacy of the program considerably.
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For example, the maximum number of tracks in a session has been increased from 64 to 128, with full track bussing (subgrouping) functions and, for the first time, a wide range of real-time effects, processing and equalisation on each track.
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Audio can be recorded into CEP 2.0 at almost any resolution from 8-bit/6kHz up to 32-bit/192kHz, and the software can also potentially record and play back simultaneously through up to 32 independent I/O devices - a mindboggling thought!ĬEP runs using the computer's native processing power, and the rapid increase over the last few years of CPU power and hard disk data transfer rates has allowed Syntrillium to increase its real-time processing facilities enormously.

Microsoft's new 'Corona' technology for multi-channel audio coding (WMA Pro) will also be supported shortly. The number of file formats it can accommodate has also been expanded to a formidable list of linear, non-linear, and data-reduced formats including various PCM and Windows WAV formats, Apple's AIFF, MP3 and the new MP3 Pro, Windows Media Audio 8 (WMA8), and all manner of Windows and soundcard manufacturer-specific file types. The Waveform Statistics feature conveys a wealth of information about the content of your audio.The new edition of CEP boasts a lot of new and substantially improved features compared with the original, and the graphical interface has been 'prettified' too.
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It uses standard Windows MME drivers and seems to run happily on pretty much any Windows-compatible stereo or multi-channel soundcard. Perhaps I should say at this point that Mac users should skip the rest of this article before becoming too disappointed and upset! CEP is only available for the PC and runs under any of the recent Windows operating systems: 98, 98SE, ME, 2000 and XP.
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For those who like to collect colourful packaging, a full boxed version with CD and manual is also available (albeit at a higher cost), as are upgrades for registered users of the previous versions of CEP 1.x and Cool Edit 2000. If you like the look and feel of CEP 2.0 it can be purchased over the web, whereupon the restrictions are lifted and the files unlocked. This demo program works completely normally for 21 days with everything functioning as expected apart from a couple of audio file format import/export filters, which time out after a minute or so. Like its predecessors, CEP 2.0 is available on a 'try before you buy' basis, as an Internet download (a mere 19.3MB!).

There has been extensive rebuilding of the workings, but pretty much all of the desirable characteristics of the original remain in place the impression is of a more mature, wide-ranging and very capable product, yet without the typically steep learning curve associated with audio editing software of this kind.
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The update incorporates much more than cosmetic tweaking and bug-fixing, but the basic structure remains unaltered in concept, with a stereo editing window and a multitrack window for compiling complex material. The latest incarnation is version 2.0, a serious makeover of this popular program with dozens of new and enhanced features. The original Cool Edit Pro - CEP to its friends - was reviewed in SOS June '98. The program's widespread popularity is partly due to its remarkable ease of use, partly because of its comprehensive facilities, but especially because of its surprising affordability. Syntrillium's Cool Edit Pro editor has become a firm favourite of amateur sound recording enthusiasts and professional audio users alike, the world over. The new version offers more features, more power, and an updated user interface. Cool Edit Pro v2's multitrack editing window, with its virtual mixer open in front.įrom its beginnings as shareware, Syntrillium's Cool Edit Pro has acquired an impressive professional user base.
